"The “typical” figurative art records objects, people, environments, landscapes in a way that extends a creative tradition that generally has its origin in the academic institution. Early years art students spend many hours painting still lifes that in their real version have before them, tablecloths with folds, cups, bottles. But there is also another aspect of the "typical" in art and this is the nocturnal interior of the establishment where artists and customers share space. Manet, Toulouse Lautrec, the German Expressionists, Otto Dix, Humareda, Pancho Izquierdo, the cantina, the brothel, the dance hall" Rafo Leon Curator: Juan Peralta

"The “typical” figurative art records objects, people, environments, landscapes in a way that extends a creative tradition that generally has its origin in the academic institution. Early years art students spend many hours painting still lifes that in their real version have before them, tablecloths with folds, cups, bottles. But there is also another aspect of the "typical" in art and this is the nocturnal interior of the establishment where artists and customers share space. Manet, Toulouse Lautrec, the German Expressionists, Otto Dix, Humareda, Pancho Izquierdo, the cantina, the brothel, the dance hall" Rafo Leon Curator: Juan Peralta

The term "Gunpla" comes from the fusion between the anime "Gundam", developed in 1979 as part of a franchise of animated science fiction series created by Yoshiyuki Tomino for Sunrise studios. Modeling, in a more common sense, is a hobby that consists of building and finally directing (dynamic modeling) miniature reproductions of machines, people or buildings. The group, Gunpla Junkies, is mainly dedicated to showing the different chronological lines through their works. Production: Fog and Deox

Artist Maria-Maria (@roxystar) choreographs her characters in compositions that capture the spirit of the disturbing, the macabre, the tragicomedy of life, love, death and most of all farce. His work and research capture fictional characters with humanoid figures in psychic chaos through form, texture and color. Its purpose is to create content that shows a mental crisis or turmoil. His figures are emotionally charged in a static state, perhaps a resting discomfort, or perhaps even a peaceful intermission amid stillness and deep anguish. Curator: Midori Yoshimoto, PhD.

The poetic installation PULSACIONES proposes new spaces for the enjoyment of poetry. Inspired by the collection "Pulsaciones", published at the end of 2022 and through large-format reading, it presents us with six contemporary Peruvian authors and their particular aesthetics, six pulsating ways of relating to the word and the world. Curator: Úrsula Alvarado

Contemporary life and the night find a materialization through the canvases of Dolorier, who builds a set of works in continuity with the tradition of the nocturnal motif of modern painting. With cold ranges and neon colors, it evokes scenes from the city of Lima and describes the characters who move through it when natural light is absent. Between abstraction and the figurative, Dolorier presents an existentialist vision that tells us about crossing limits and sublimating the drives of postmodern life. Curator: Ivan Fernández Dávila

Gerardo Salazar Malbasa, presents two collections of engravings: "Huanchaqueras Legends" and "Huanchaqueras Estampas". Inspired by the difficult circumstances of the pandemic, he began to illustrate the legends of Percy Valladares Huamanchumo in woodcut and linocut in April 2020. These stories, shared on Facebook, motivated him to contact the author and propose the illustration with engravings, respecting tradition from the book. Huanchaco, a significant place from his childhood, was the backdrop for these creations. In addition to the legends, he created scenes of life in Huanchaco, giving shape to the second collection "Estampas Huanchaqueras". These works pay tribute to the rich cultural heritage of Huanchaco and its community, highlighting the challenges they face. WANDERING GRAPHIC GALLERY Curator: Israel Tolentino

The representation of geological inclemencies from a fictional uchronic vision has very rarely been represented in contemporary Peruvian painting; Therefore, given this lack of artistic production, the SUPERUNDA project by artist Peter Lara is proposed, in which he makes a simulation of reality that has its origin in a geological phenomenon in the Callao Sea. Curator: Mayra Saavedra

The set of works that Julio Marcos presents to us is created on 'rescued supports', specifically wood and planks that have their origin in those first houses built in Manchay and whose remains have been recovered through the artistic exercise of their discovery and transformation into pictorial support . MUSEAL CANAL GALLERY Curated by Teresa Arias and Daniel Contreras.

"Frituras, Soda and Christ" is an invitation to reflect on contemporary society and its values, through the critical and emotional gaze of the artist. His work invites the viewer to connect with their own emotions and find meaning in the complexity of life. What values are reflected in our consumer culture? What role does religion play in our society? What impact do childhood experiences have on our adult lives? These are some of the questions that this exhibition seeks to raise. Curator: Juan Peralta

Animal that eats its own heart is an artistic project that delves into the complexity of the human condition through painting, drawing and ceramics. This project seeks to open a deep dialogue about existence, identity and the meaning of being human, using visual media to express concepts and emotions that are universal and timeless. Curator: José Hopkins Brocq

“Sensed Geometry” is the first individual exhibition of Coki Merel, who presents us a series of carefully crafted compositions and texts to bring us closer to labyrinths and landscapes of aerial views as a counterpart to the entities that inhabit them. Curator: Nuria Cano

"The imposing exhibition that Gino Ceccarelli presents is in itself a language of immense meanings placed on frames that need to be as big as they are. The paintings on display reveal a synthesis of many years of work on the constructions of identity, in such a way that did not fall into Amazonian folklorism or the imitation of native art. At the same time as synthesis and completeness, the exhibition opens a new path in Ceccarelli's painting, whose first milestone must be discovered on the walls of the room, when in In a single plane the origins transcend the Vitruvius and end at the starting point: the hunt with a sharp spear, in the river of the Amazon forest. Rafo Leon Curator: Juan Peralta